You seem to have no knowledge of calculation of money, only about 5 films ever made a Billion. He got a standard sum of money for a designer on a film if not more.

That scene(ry) was indeed brilliant. Good thing the chair stayed. I saw it more as a chair for dissection of the sitter’s psyche in the movie, the subject being interrogated because of being worshiped. The overall implication of the drawing/concept suggests the egocentricity and capitalist nature of postmodernism as it relates to the reason for our creation of technology, computers, and other machinery. It has a nostalgic quality to the “industrial feel” that modernism represented, like “City of Lost Children”. But in a postmodern context, it implies technology’s service to us as a way to further to analyze ourselves and our own evolution. Like Australian cyber-artist Stelarc’s mechanical arm, and the cyber-culture of blogging!