Maurizio Cattelan: If that’s ‘All’ there is my friends…

Cattelan at the Guggenheim

The Maurizio Cattelan exhibition ALL ended its run at the Guggenheim last weekend and I wanted to share some quick thoughts about the show, especially in light of what seems to have been a mostly negative reception from some of our more prominent art critics. But more than that, I’m also hoping that by posting what is little more than a few ill-informed observations jotted down in a notebook about an artist whose work I had never seen before stepping into Frank Lloyd Wright’s atrium late last year, I’ll instigate a bit of a sea change for Life Without Buildings. Basically, I want it to be more fun. After years of hard work and school, writing architectural history has actually become an honest-to-god, bill-paying job and now more than ever I need a place to experiment with different forms of criticism and documentation, to work out new projects, to make mistakes, and to write about things that are little less serious. This will be that place. So that’s happening.

But back to the Cattelan show. I loved it.
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Clive Owen Starts a Shootout in the Guggenheim

The real star of the new Clive Owen / Naomi Watts movie The International? Architecture. That’s according to The Architects Newspaper Blog, anyway, who spotted several recognizable buildings in preview for the um… banking and finance thriller. The best part? A climactic shootout in Frank Lloyd Wright’s Guggenheim museum. It might be a little early to say this, but I’m guessing this beats out Cremaster 3 for the best-climactic-battle-in-the-guggenheim prize. Of course, this all begs the question: Is shootout architecture a parallel field to heist-urbanism?
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