[original image viaTruth]
A Polish artist working under the pseudonym “Truth” creates what is perhaps best described as architectural graffiti — minimal, abstract forms made of polystyrene which he (or perhaps she) then attaches to buildings. The objects are intended to respond in some way to the architecture upon which they are installed, but while I appreciate the work, the relationship between object and building is obtuse at best. I do, however, find the idea of architectural graffiti insanely compelling. Taken as a criminal act, it gives strange new life to Adolf Loos’ immortal—and sometimes immoral—1908 essay, “Ornament and Crime,” in which he describes ornament in terms not far removed from how many people think of today’s graffiti.