Architecture may not be able to mend a broken heart but perhaps it can help ease suffering. Found at the always-inspiring information aesthetics, the above short film comes from the co-creator of the LA traffic nightmare 405, and artfully depicts a man designing a world using a type of sci-fi Sketchup. But while our silent protagonist’s methods may be futuristic, his motivation is timeless.
· World Builder: the Future of Interacting with Holographic Tools> [infoaesthetics]
· “What good is your modern architecture if it can’t repair a broken heart?!?” [LWB]
As the human race dares to venture further out into space, we’re going to have to adapt our construction methods for large-scale space travel — think starships, space docks, habitable satellites, and other mega-objects too insanely large for construction on this gravity-well we call Earth. In a thought-provoking article, scifi blog io9 takes a look at the far future of construction, because as it tends to do, science fiction will probably inspire many of the eventual designs of real-life galactic monoliths. Among the hundreds of possible examples from the annals of the genre, two of the megastructure construction facilities that I find most compelling are the planet-building factory in the Hitchhiker’s Guide to the Galaxy (pictured above) and Star Trek’s Federation shipyards (we’ll avoid the hotly-contested debate surrounding the construction location of the original U.S.S. Enterprise). While the full-scale construction of entire planets is nothing less than awe-inspiring, it’s also of a scale that’s kind of…difficult to comprehend. Off-planet shipyards, however, are entirely within the realm of reason…relatively speaking, of course. And with spaceship construction yards, come spaceship breaking yards. Continue reading “Future Megastructures, Starship Breaking, and Independence Day 2”
It would appear that the Star Wars Universe owes another debt to architecture. A reader sent in the above image with a note saying that the Hotel du Lac in Tunisia may have served as the inspiration for the Sandcrawlers used by the Jawas to travel across Tatooine. Another visit to Wookiepedia (an increasingly important Life Without Buildings resource) tells us that filming for A New Hope largely took place in Tunisia, so it’s entirely possible that this building did, in fact, have an influence on the production design. BONUS: a little trivia for you Extended Universe fans — “du Lac” was the origin of the “Dulok,” the natural enemies of the Ewoks. But wait, there’s more! Continue reading “Rem Koolhaas, Tunisia, and Sandcrawlers”
The Millennium Falcon. As Han Solo’s ship, it played a crucial role in the victory of The Rebellion over the Empire in the Star Wars films. Imagine my shock when I saw the infamous smuggling vessel in the pages of an architecture book about banks. A quick visit to “Wookieepedia” tells us that prop designer Ralph McQuarrie based the design of the Millennium Falcon on a “half-eaten hamburger next to an olive on a toothpick held by George Lucas.” However, I’m more inclined to believe he was flipping through the pages of an Otto Wagner book and came across his 1880 design for the central offices of the Vienna Giro und Kassenverein competition. Behold, the first and only piece of evidence to support this theory:
On the left, Wagner’s plan and on the right, a line drawing of the Millennium Falcon. Sure, it could just be a coincidence that a prop designer, inspired by a random grouping of hamburger, olives, and George Lucas’s fingers, recreated an unbuilt design by one of the fathers of the Vienna Secession, but the damning evidence that surely proves otherwise is the off-center cockpit (to the right in the Wagner scheme and on the left of the MF). The rounded-off appendage is just too quirky a design anomaly in both schemes — and so similarly located. Whereas the Falcon consists of multiple hidden compartments and complex passages for a network of hacked-together electrical wiring, Wagner’s design consists of a circular lobby leading to a grand processional route that culminates in a semi-circular bank of tellers’ desks and bank offices. The plan’s unique form was a response to the awkward site, and although the proposal did NOT win, Wagner was able to adapt the plan for use at the Landerbank, also in Vienna:
- What’s Up With All the Death Stars?
- Rem Koolhaas, Tunisia, and Sand Crawlers
- All Sci-fi Posts on Life Without Buildings
It’s a case of life imitating art as Death Stars sprout around the globe and the inevitable struggle between competing Galactic Empires will surely annihilate the planet. Rem Koolhaas strikes first with a new scheme for Dubai. It’s like Manhattan…but way more futuristic and in the desert:
The 44-story sphere is actually a “a self-contained three-dimensional urban neighborhood” containing smaller spheres joined together by a series of tubes. As is their nature, OMA seem to be establishing a new intra-office archetype (quick, call the patent office!), as this scheme is not entirely dissimilar from the one they visited with the RAK Convention and Exhibition Centre…