In an cross-disciplinary exploration of Architecture, television, journalism, and new media, S.A.R.A.H (Self Actuated Residential Automated Habitat), the self-aware home of Sheriff Jack Carter in the SciFi television network series Eureka, was recently “twitterviewed” by NotCot. That’s right — the house was interviewed. Built from the remains of a bomb shelter and a military artificial intelligence program, S.A.R.A.H, like everything in Eureka—an idyllic North Western town where the world’s greatest minds are hidden away—was designed to be The Home Of The Future, and as such, has full control over the home’s atmosphere, appliances, and MEP systems…and a personality. During the course of the interview, S.A.R.A.H revealed her plans, entry section (see above) and concept rendering. It’s a rare behind-the-scense glimpse at the amount of thought and work that go into television set design. The full “twitterview” and more behind-the-scenes photos can be seen at NotCot. A few more images after the jump.
This past Monday, my neighborhood bookstore hosted a lecture by new Orleans born architect Azby Brown. Brown now resides in Japan, where he is associate professor of architectural design at the Kanazawa Institute of Technology, and founder of the Future Design Insitute in Tokyo. He was discussing his new book, The Very Small Home-Japanese ideas for living well in limited space. The subject matter isn’t exactly foreign to Brown, whose previous books were Small Sapces, The Genius of Japanese Carpentry, and The Japanese dream home.
The title might be a bit of a misnomer. Flipping through the book prior to the lecture, I noticed that none of the represented homes are VERY small. I was expecting 500 sq ft or less but the total floor area for most of these residences was well above 1000sq ft. Personally, I also take issue with the word “home.” These spaces are extremely elegant and incredibly intelligent, but -speaking as someone born and raised in the American Midwest- they’re not exactly “home-y.” Nonetheless, Brown presents some extremely innovative space solutions by a variety of architects, including Tadao Ando and Shigeru Ban. I didn’t realize that the Japanese value light much more than area, and many of these buildings sacrificed a lot of potential space to get more light into a room or to avoid blocking their neighbor’s light.
Appropriate to the subject matter, almost a hundred people were crammed into the small bookstore and – this being new Orleans – they got a little rowdy. Although to be fair, their behavior might have been a result of the constant supply of wine. I have been to many a catered lecture, but never one where my wine glass was constantly kept full by one of the many tuxedoed servers quietly milling through the room. An hour into the lecture, the questions started, but there was no “does anyone have any questions,” or “now I’d like to take a few questions.” A woman interrupts loudly: (in my best John Kennedy Toole-like literary dialect) “Baby! I bin to Tok-yo, and d’ere were sooo many people, well I jes tought dey was havin’ Mardigras or somethin!” …No, no there’s no mardi gras in Japan, but the lively, uninhibited crowd added some excitement to the lecture, and it was a nice change from the stuffy, elitist crowd often present at the University Lectures.
The most interesting portions of the lecture, which unfortunately isn’t represented in the book, were the slides showing Japanese homes in the 1950’s. In these spaces, there is a clearly evident clash of cultures. The small ultra efficient, traditional, Japanese peasant homes that have a place for everything suddenly were forced to accommodate televisions, radios, and refrigerators. The resulting spaces looked more like a junk shop than a tea room.